Alexander de Vol

1. What motivates you to make?

I think the motivation to make is intrinsic to most creative people. Since early childhood I have spent most of my free time making, it was the primary form of play that I grew up with, and it’s one of the few that stays with us through adulthood. I never saw a life for myself where I wasn’t a maker, but I’m conscious of the motivations that have informed the type of work I want to create, and the means by which I should be making it. The first years of my career were split between product design and commercial fashion, during which I observed first hand the environmental and social consequences of assembly line manufacturing. Making responsibly and with integrity quickly became my main motivations, and prompted a reassessment of how I was going to craft myself a career from making.

2. What and/or who are you most inspired or influenced by?

The objects I make are mainly inspired by the materials and processes used. I enjoy working with a wide range of media and am frequently seeking new methods of making, be it traditional or innovative. I favour material that can be unpredictable, such as unseasoned wood from wild grown trees, that warp and move as it dries. Or my own mixed clay bodies, which are unproven or untested. When finishing work I favour methods that organically transform the object; such as metal patina by oxidisation or scorching wood with flame.

3. What is your unique approach to your craft and how have you honed your skills?

I regularly introduce variables in my process such as new materials, or methods of building. This allows for unforeseen possibilities.

I’m comfortable seeking out challenges which might inform the final piece and value this collaborative relationship with the process and material more than I do any rigid vision of what the object should be. This was dubbed ‘practice based research’ in my postgraduate studies, but it’s simply an extension of the playful relationship most of us have with making as children, learning through experimentation and observation.

4. What is your defining or proudest moment as a maker so far?

Of course it’s an honour to have work published or nominated, the greatest privilege though is simply being able to work with customers and galleries who trust in me to make pieces that are honest to my values and creative direction. Having experienced how in industry creativity can be overshadowed by compromise and negative impact, I am proud to be able to work in a way I know to be responsible and with integrity.

5. What is your dream project?

Of the many things I’d like to achieve, it’s not really a case of one being more important than the others, so at the risk of sounding cliché, simply being able to continue my current practice is the ‘dream project’. I’m very content and am looking forward to letting things evolve organically from here.